Robert Bresson: Homo silentii of the French cinima

Authors

  • Yu.V. Mikheeva Russian State University of Cinematography named after S. Gerasimov

Keywords:

Robert Bresson, the author's cinema, audiovisual decision in the movie, music in the movie, aesthetics of cinema, transcendental style in film

Abstract

The article deals with the “aesthetics of silence” in films by French director Robert Bresson. Intraframe and offscreen sound is investigated in the context of the author’s unique style and aesthetic principles of the master, developed and improved throughout his creative life. The sound side of Bresson films evolves from the expressed affectivity to the visual ontology.

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Author Biography

  • Yu.V. Mikheeva, Russian State University of Cinematography named after S. Gerasimov

    Кандидат философских наук, заведующий отделом междисциплинарных исследований киноискусства, докторант кафедры эстетики, истории и теории культуры.

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Published

2019-06-07

Issue

No. 3 (2015)

Section

Общее

How to Cite

[1]
2019. Robert Bresson: Homo silentii of the French cinima. Chelovek. 3 (Jun. 2019), 148–163.